Cynthia Talbot is Associate Professor of History and Asian Studies at the University of Texas at Austin. The Last Hindu Emperor sheds new light on the enduring importance of heroic histories in Indian culture and the extraordinary ability of historical memory to transform the hero of a clan into the hero of a community, and finally a nation. Despite being overthrown, however, his name and story have evolved over time into a historical symbol of India’s martial valor. In modern times, the Chauhan King has been referred to as “the last Hindu emperor,” because Muslim rule prevailed for centuries following his defeat. Surveying a wealth of narratives that span more than 800 years, Cynthia Talbot explores the reasons why he is remembered and by whom. This fascinating new study traces traditions and memories relating to the twelfth-century Indian ruler Prithviraj Chauhan: a Hindu King who was defeated and overthrown during the conquest of Northern India by Muslim armies from Afghanistan. Retellings of Prithviraj's story in colonial modernityĪppendix: Prdotthvīrāj Rāso’s textual history In defense of tradition: Pandya's rebuttal Introduction: debating the Rāso's historicity Introduction: James Tod and the last Hindu emperorįrom bardic to colonial knowledge with Todħ Contested meanings in a nationalist age, 1880s-1940s Violence and the rhetoric of political allegianceĦ Validating Prdotthvīrāj Rāso in colonial India, 1820s-1870s Introduction: redacting Prdotthvīrāj Rāsoīuilding fame in seventeenth-century Mewar Introduction: regional rivalries in Prdotthvīrāj Rāsoĥ Imagining the Rajput past in Mughal-era Mewar The draw of Delhi across the Indic/Persian divideįrom Tomar to Chauhan rule in Delhi inscriptionsĤ The heroic vision of an elite regional epic Introduction: telling the Rāso in Persian Thirteenth-century Indo-Persian perspectivesģ Delhi in the making of the last Hindu emperor Seeing Prithviraj through contemporary sources Geopolitical setting of an age of conflict Episodes Episode No.Embedded strata: Prdotthvīrāj Rāso and James TodĢ Literary trajectories of the historic king
PRITHVIRAJ CHAUHAN EPISODE 103 SERIES
The series was re-telecasted from to 15 December 2020 during the 2020 coronavirus lockdown in India. Ravindra Jain composed music for this serial. The role of young Krishna was played by Swapnil Joshi and adult Krishna was played by Sarvadaman D. Shri Krishna was produced by Ramanand Sagar, Subhash Sagar, and Prem Sagar under the banner "Sagar Enterprises" and directed by Ramanand Sagar, Anand Sagar, and Moti Sagar. Shyam Sunder Kalani as chanoor (3rd episode only).Swati Anand as Revati (Wife of Balram and Granddaughter of King Rewat) / Chitralekha / Shikhandi.Niharika Bhatt as Māyāvati / Vajranabh's Grandmother.Pradeep Nishit as Maharaj Drupad / Maharishi Ved Vyas / Maharishi Parshuram.Neel Kamal as Kumbhaketu(Shambarasura’s Son).Arvind Singh Rausariya as Kal Yavan/Shambharasura's Rajguru/Vajranabh.Basheer Khan as Bhaumasura / Dwivida Banar / Mayasura(Shambarasur’s son).Niyati Joshi as Maharani Sumati (Wife of Vajranabh and Mother of Prabhavati).Tiya Gandwani as Maharani Vrinda (Wife of Banasura and Mother of Uṣā).Bashir Khan as May Danav/ Dwit Vaanar/ Mayasura(Son of Shambharasura).Gautam Chaturvedi as Paundraka Vasudeva.Raj Premi as Shishupala/ Hiranyakashipu/ Jaya.Mukul Nag as Sudama / Ashwatthama / Brahman.Radha Krishna Dutt as Maharishi Uttang /Devshilpi Vishwakarma / Jarasandh.Jharna Dave as Bhanamati / Hidimba / Devi Durga for an episode.Dinesh Anand / Deepak Jethi as Dushasan.Anupama Pardeshi as Mohini avatar of Vishnu.Manish Sharma as Pradyumna (in later episodes).Girish Pardeshi as Kamadeva / Pradyumna.Shahnawaz Pradhan as Nanda Baba / Shurasena / Chanoor / Maha Bali.
Pinky Parikh as Rukmini / Yamuna / Lakshmi / Durga.Palak as child krishna (in fal wali,maiya mori mai nahi makhan khayo, matki fod,basuriwala episodes).Ashok Kumar Balkrishnan as Child Krishna.
0 kommentar(er)
